First Prize winner of the Stravinsky International
Piano Competition, Lucille Chung has been
celebrated for her “stylish and refined” performances
by Gramophone. She was born in Montreal, and
made her debut at the age of ten with Montreal
Symphony Orchestra, after which Charles Dutoit
invited her as soloist on the orchestra’s tour to
Asia. She has since performed with orchestras
around the world, including Philadelphia Orchestra,
Moscow Virtuosi, BBC National Orchestra of
Wales, Seoul Philharmonic, Dallas Symphony, and
Israel Chamber Orchestra, as well as all the major
orchestras in Canada, among them the Montreal,
Toronto, and Vancouver Symphonies and National
Arts Centre Orchestra. She has appeared with
conductors such as Krzysztof Penderecki, Vladimir
Spivakov, Yannick Nézet-Séguin, and Vasily
Petrenko. Her solo discography includes the
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first volume of her recording of György Ligeti’s
complete piano works on the Dynamic label, as
well as Camille Saint-Saëns: Piano Transcriptions,
Mozart & Me, as well as an all-Poulenc and an
all-Liszt albums for Signum Classics.
The second volume of Chung’s Ligeti project on
the Dynamic label comprises his works for piano
four hands and two pianos, and marks the first
recorded collaboration between Bax & Chung. The
disc garnered the maximum R10 Classica from the
French magazine Répertoire and five stars from
Fono Forum in Germany. In 2006, the duo released
Saint-Saëns’s Carnival of the Animals with Fort
Worth Symphony under Miguel Harth-Bedoya,
with Michael York as narrator. Bax & Chung:
Piano Duo appeared on Signum Classics in 2013,
pairing Stravinsky’s four-hand version of his ballet
Pétrouchka with music by Brahms and Piazzolla.
Together, Bax & Chung have performed in major
festivals and concert halls around the world; in
2008 alone, they logged 20,000 miles by train
as they toured their four-hand Pétrouchka across
the far reaches of Stravinsky’s homeland. They
have appeared at international festivals including
Verbier in Switzerland; Við Djúpið in Iceland;
the opening concert of Chungmu Hall in Seoul,
Korea; the Pau Casals, Castilla y León, Torroella
de Montgrí, and Pamplona International Festivals
in Spain; the Felicja Blumental Festival in Tel Aviv;
Lübecker Kammermusikfest and Schloss Elmau in
Germany; Ottawa International Chamber Festival
in Canada; and Music@Menlo, Chamber Music
Society of Lincoln Center, Mainly Mozart, and
Bard Music Festival in the U.S.; besides giving
performances in Aruba, Barbados, China, Cyprus,
France, Guatemala, Hong Kong, Italy, Palestine,
Russia, and the United Kingdom. In recent seasons
they have performed at New York’s Lincoln Center;
with the St. Louis Symphony Orchestra, the Chopin
Society in Saint Paul, MN; Dumbarton Oaks series
in Washington, DC; at Italy’s Incontri in Terra di
Siena Festival, where Bax assumed the role of
Artistic Director in 2017; and at Teatro Colón in
Buenos Aires, playing Mozart’s Concerto for Two
Pianos with the Filarmónica de Buenos Aires.
After meeting at the 1997 Hamamatsu Competition,
Bax & Chung carried on a courtship by telephone
and email while on separate tours, eventually
marrying in 2004. They are also co-artistic directors
of the Joaquín Achúcarro Foundation in Dallas,
Texas, created to cultivate the legacy of the Basque
pianist and to support young pianists’ careers.